#i just wanna get attention

[redscreenofdeath]

"i think i should check if my posts have gotten any activity" logging onto tumblr "oh boy, 5 activity notifications!" foghorn.wav "aand it's spam bots that follow me for no apparent reason, great." i love bots baiting me into thinking i'm getting attention on this platform

[butchlifeguard]

we need to destroy the idea that girls should wear makeup. normalize bare faces on prom queens and flower girls and cheerleaders. no products at all instead of '7 product simple makeup routine.' no more 10 step skincare and regular facials and dermablading and gua sha just to be comfortable with yr natural face. i want to see eye bags on the funny librarian and acne on the swim coach and wrinkles on all our adult role models. i want to see a 16 year old girl that has never tried putting on eyeshadow. i want to see a 7 year old girl who doesn't have to go out and buy powder for her dance recital. i want to see trans women and girls everywhere to never have to wear makeup, regardless of how well they 'pass.' no more 'contouring to look masc' either. a post-beauty industry world is possible

reblogs are on but if you bring up the stage makeup point that i have addressed three times yr blocked on sight ☹️

[14dayswithyou]

💖 Day 3.5 is now available! 💖

For the last couple of months, only Server Boosters had access to the 3.5 update... Buuuuut now it's available for everyone to play in the 14DWY Discord — and soon itch.io once I'm happy with the QA and state of the game — so please don't feel pressured to join unless you want to!!

The full devlog + even more screenshots are under the cut ^^

What's been added to the 3.5 version?

📺 Streamer Mode!

I've been told that it's difficult to stream and monetise age-restricted videos on YouTube and Twitch, so I added an option to remove the sexual content and strong language used in the demo.

Now y'all can invite Ren into your bed for cuddles without putting your streamer career on the line /silly /lh

This won't affect the 18+ rating or dark themes/elements of the game, however! Although Streamer Mode will prevent you from seeing any "gruesome" CGs in the future, most of the core elements of the game will still be tied to the choices and decisions you make. So you won't miss out on the overall experience by using streamer mode!!

⚙️ Custom Pronouns!

It only took me one entire year to get around to it, but you can finally choose your own preferred pronouns (or use a set of pronouns instead)... At the cost of being able to change them mid-game ^^;

Since the original pronoun screen wouldn't update until a new scene was displayed, I temporarily disabled the feature. But once I find a workaround, I'll bring it back!

💗 Choose how others perceive you!

You can now choose how the cast and narration perceive you! Originally, the narration was kept strictly gender-neutral (outside of pronouns and genitalia picked by the player), but this will soon change in future updates.

For more clarity: you don't get to choose the words specifically, but you can choose between masculine, feminine, and androgynous terms!

📋 Separate top and bottom genitalia!

You can now choose your tatas and pps separately! >:3

Alongside that, you can also choose your preferred body type!

I removed the "both" genitalia option because a few players still assumed it was an obscure version of "intersex". That wasn't my intention and I don't want to mislead anyone, so I took it out for now ^^;

I also didn't want to include a screenshot of the new genitalia choices in action (because it's NSFW), so y'all get the same character menu screen for the nth time instead lmao

📱 Relationship Screen Overhaul!

You can now change your own status for more immersion, and long-term Server Boosters will eventually be able to submit and use their own icon within the game as well!

Stalking finding your friends has now become easier by using "Buddy Maps"; a new app that allows you to see the location of all the cast members!

I want to offer players more incentive to check the relationship screen since they tend to miss the status updates, so hopefully this might help ;v;

It also says it "updates every few hours" so folks don't go overboard and check every 5 seconds to see where Ren is gdsghf (also keep in mind that he's a hacker lol)

🖤 Additional Scenes Update!

Day 2 received a brand new CG!!!!! Originally, I planned on only adding a few CGs sporadically throughout the game, but it didn't feel right to leave Day 2 so... empty... so I added a brand new CG to (hopefully) make things feel more balanced and natural!

If you decline Teo's offer on Day 3, Leon will now call and try to convince you to reconsider. However, players are still allowed to decline, and if they do, they'll reach a dead end.

After listening to feedback on itch, I changed some of the dialogue during Days 1-3 to make it seem more consistent! They're only small changes though, so it's honestly not worth looking for sdgjssga

🎶 Updated BGM and SFX!

I wanted to try out a different style of music to see if it fits the vibe of 14DWY more! The BGM features more acoustics to suit the "beachy" theme of Corland Bay, though I made a conscious effort to include piano elements as well to stay true to the original!!

I figured it'd be better to give players a live example before I make a poll (to see if they prefer the change or not) and publish it to Itch.

Some new SFX have also been added, though it's very minimal and honestly not that noticeable.

How to download and play the update?

(warning: clicking on the following links will open Discord!!) To download the Day 3.5 update, simply join the 14DWY Discord server, verify your age, and visit the "14dwy-updates" channel!

Alternatively, you can also wait until the update is publicly released on Itch to play it as well!! (It normally gets released shortly after a round of QA testing/getting feedback from the server, though I may release it earlier if I feel like it hehe ^^)

Enjoy!!

[wishchip106]

crazy this guy can kill anyone with a thought

he’s just a silly billy

he don’t need to mind control me to do anything sign me up to be a child soldier get me in the field

[sincerelybubbles]

Here's a dialogue prompt for Emily please! Try this out pls. Love you Kam sm sm. "So why are you here?" "To make a fool of myself." ok ty lysm

even though i watched u type this, the wording makes me giggle every time i look at it.

emily prentiss x tech analyst!reader <3

warnings: fem!reader, cannon typical violence, very brief allusions to sexual assault (nothing happens!), angst and fluff! mutual pining.

word count: 5.4k

Emily is the loveliest thing you've ever seen and you can't imagine how she could ever possibly like you back. She enjoys the game, though, and teasing you is her favorite hobby.

-

It’s a sunny day. Warmth trickles down with the scattered light through the leaves. Patterns trace your arms, throwing your skin into a collage of different shapes and shades. Leaning back on your elbows, you watch people mill about the park. You look back down at your arm after a few more minutes, this time focused on the small watch resting there. With a sigh, you stand up and dust off your pants before picking up the small blanket you laid out and tucking it into your bag. 

You walk back to work, enjoying the sounds of the people around you. You lingered too long at the park during your break and are hoping that nobody notices your slightly late return. Maybe the team will be in a meeting, gruesome pictures you never quite learned to stomach plastered on the board, entirely oblivious to your tardiness. 

Unlikely, but a welcome thought soothing your anxiety as you push the door open and scan your badge at the security desk. 

“Welcome back,” the security guard says, smiling at you over his paperback. He’s an old greying man and you vaguely recognize him. You think he’s new and send him a warm smile in return. 

“Thanks,” you glance at his name badge, “Martin!”

You walk past him and step into the elevator. “Wait!” A voice calls and you reach forward to hit the hold button instinctively before you register the voice as Emily’s. 

She jogs into the elevator with you, smiling gratefully. “Thanks, I’m already running a little behind.” She lifts a container and shakes it a little. The label is from the Italian bistro across the street, about a ten-minute walk away and always nearly triple that in wait time. 

“Brave of you to go there during your lunch,” you joke, returning her smile and pressing the button for your floor. 

You hope she can’t see how your hands shake as you reach forward.

“I know, I just love their Pasta Brado. Have you tried it?”

“Can’t say I have. I’m boring, I usually go for the parm.”

“You’re not boring,” she says so earnestly that you can’t help but blush. You cough as an excuse to raise your hand to your face and hopefully hide it some. “You do have to try it, though. Here,” she offers you the plastic box. 

“Oh, I couldn’t. And I already ate.” You ignore the way your chest hurts a little at how enthusiastic she is. The worst part? She doesn’t even know how endearing her simple kindness, her casual enthusiasm, is to you. 

“Tomorrow, then. We can go together.” The elevator doors open as she says it and she steps out with an affirmative nod to solidify it. “Don’t try to bail out on me either, I know where to find you.”

“Yeah, I'm okay,” you say, feeling lame as you step out behind her. “I would love to.” She’s too far to hear you, though, already heading to Spencer’s desk and jumping right into his conversation with Morgan. 

Someone says your last name and you turn on your heel to see Hotch and cringe slightly. “I was trying to find you.” It’s a kinder way of him reminding you that you’re nearly ten minutes late back from your lunch. 

“Sorry, sir.”

“It’s fine. Do you have the reports finished from last week's trip to Huston?”

“Yes, sir, they’re at my desk. One moment.”

-

You and Emily don’t go to the bistro the next day because she and the team are sent to a small town in Kansas that night. 

“I’ll owe you lunch,” she says, hand on the back of your desk chair and brushing your shoulder as the team rushes to the jet. 

“Don’t worry about it!” You reassure her.

“I’m taking you to lunch,” she calls over her shoulder, pretend-glaring, “you will try that Brado!”

And then she’s gone, leaving you giddy and breathless. 

You know she’s just being friendly – she treats Spencer, Morgan, and JJ all the same as you – but her efforts to spend one-on-one time with you outside of work still have you feeling like a schoolgirl passed a note from her crush in class. 

You try to remind your heart to stop singing because Emily probably isn’t even gay and definitely isn’t interested. Instead, Garcia scares the shit out of you when she interrupts your inner monologue. 

“Lunch with Emily? Things are getting serious in your work marriage.” You hadn’t seen her walk into the room and jump at her voice, hand jumping to your mouth to suppress a yelp. “Sorry! Sorry!”

“It’s okay, didn’t see you.”

“Your loss, I look fantastic today.”

“As always,” you smile up at her, nose wrinkling and genuine fondness filling your senses. 

“Careful, wouldn’t want a workplace affair,” she jokes, leaning against your desk and picking up the stress ball you keep handy. 

“Stop,” you moan in good nature. “Nobody else calls us work wives.”

“That’s just because they don’t have my brilliance and excellent observational skills.”

“Nor do they have the same privy to my more personal thoughts,” you say, glancing up at her before returning to your paperwork. With the team leaving so quickly to tend to a missing child's case, you’re not getting home in time to cook dinner but are hoping to leave early enough to grab food instead of resorting to your freezer stash. 

“I would hope not. You know I can’t be replaced, baby.”

“Does Morgan know you talk to all your work besties like this?”

“I most certainly do not. You’re a regular bestie, not a work bestie.” A wink and then her expression sobers. “I do have an actual reason for visiting your humble cubical, though.”

“Hm?”

“I’m going to need extra hands for this case. It’s time-sensitive, as usual, and seems like it will be particularly tricky.”

“Yes ma’am,” you say, dropping your pen and standing to follow her. 

Your position at the bureau is kind of a catch-all. Most of your time is spent logging data, building reports, and doing general research for the team. Occasionally, though, you jump in to help Garcia with real-time research. Nothing as high-stakes as her direct assignments, more background work. Calling offices to talk to managers, combing through more meticulous data, generic census material to rule out obvious dead ends. 

It’s stressful work that technically isn’t what you’re paid for but you never complain. Your team saves lives, consistently putting themselves in the line of danger. If you have to spend a few hours a month helping Garcia call a suspect's manager at McDonald's to see if he still works there, it’s literally the least you can do. 

“Yes, so, it looks like our unsub…”

You drown out Garcia’s brief about information you already have sitting in front of you and begin vetting possible suspects from the large pool her system created.

It’s going to be a long night. You think about future Brado to cheer you up. 

-

“Reid, Prentiss take the back,” Hotch’s voice fills your ears. You imagine the pair nodding and splitting off from the group. 

This is your least favorite part of helping the team with active investigations – listening in on the calls. It’s rare that you and Garcia join the line when they’re approaching the unsub but, with you helping her, it isn’t a risk to distract Garcia and a much quicker method of getting any new information the team needs. It’s a new system you’ve only tried thrice, unsure how having microphones on 24/7 will work, and it grants you and the team more fluid communication.

Still, adrenaline floods your veins as you listen to their coms, the sounds of Garcia typing a constant behind their voices, imagining every way this could go wrong. 

You suspect the girl is still alive, the uncle doesn’t seem to have any reason to kill her just yet, but your fear for her grows with every minute. 

“Clear!”

Your eyes fall to the receipts flooding your screen. Ammo. A new rifle and pistol. The team knows but the evidence of this unsubs ability to hurt any of your friends, your family, isn’t helping your nerves. 

“I think he’s going to the roof!” Morgan’s voice, clear in the comms. 

You click out of the documents. Two swift motions on the screen. The firm press of the button. 

“Morgan, you’re on foot. Prentiss, follow him. Everyone else in vans, go!”

“Garcia, map out possible escape routes from the roof,” you instruct. 

She nods, screens shifting immediately. She puts on her own headset with one hand and clicks on the call and starts to bark information to Hotch. 

“Got her!” Reid’s voice sounds and you deflate a little. He mutes as he begins to console the small girl. 

You know you can take off your headset now, leave the call, and go to your paperwork. There isn’t much more you can do to help – you’re sure that’s what you’re supposed to do – but you stay on anyway, listening. 

“Right on Elmore!” Morgan calls. You find the street on Garcia’s screen, eyes tracing the path you think they’re taking. 

“We’ll try to cut him off,” Rossi says and you can hear tires in the background of the call. The click of a steering wheel cutting to the side too quickly. Someone’s labored breathing – probably Morgan’s as he dead sprints. 

“Stop! Put your hands up!” Emily shouts. The firmness in her voice makes you sit up straighter in your chair. 

You hear something that sounds vaguely like, “bitch,” before a loud pop drowns anything else out. 

“Emily!” Morgan’s voice, more pops. 

Gunfire. That’s gunfire, your brain recognizes. 

Your blood has gone cold.

“We need a medic!” Morgan shouts. Hotch’s line blinks red, going dead as he calls the ambulance. “Emily, Emily.”

Rustling. Cars. Sirens. Morgan’s line goes dead after you hear a car door slam shut. Then Reid’s and Rossi’s. Emily’s is the last to stay green, blinking.

You and Garcia stare at each other as you listen to Emily be loaded into an ambulance. Listen to Morgan tell the team, voice far away and barely tangible, that the unsub only managed to fire out one shot before he downed him. 

Neither of you can hear where she was shot or how badly injured she is before Emily’s line goes red as well.

-

“Emily?” You call softly, rapping your knuckles softly on the frame of the cracked hospital door. 

Your name, faint, answers you and you take that as permission to nudge the door open. The room looked dark from the hallway but Emily has the small lamp embedded on the wall switched on, throwing her face into harsh shadow. 

“Hey, you,” you say, walking in, arms full. “I brought things.”

“You didn’t have to do that,” she says, trying to sit herself up further and wincing as the motion pulls on her stitches in her abdomen. 

“Wait, let me help you,” you say, setting your things down and reaching out a hand. 

You wait for her nod before touching her, letting her grasp your arm and looping your other arm around the back of her waist to take most of her weight yourself. 

“Thanks,” she mumbles. You can tell she hates feeling useless, hates needing help for something as simple as sitting up, so you drop the subject with a nod and kind smile. 

You turn around to the small rolling tray where you put your things down, pulling two black containers out from a plastic bag. You feel silly and very awkward as you turn around to show them to her. 

“I know it’s probably not quite what you meant but,” you set the containers down on her bed and pop one open. 

“The Pasta Brado! Oh man, I was going to treat you.” She’s pouting through a smile, attempting to put on an upset facade and failing miserably. 

It’s so cute that you struggle with what to say next. 

“Thank you, really. You can pull up that chair, if you’re hungry now.”

You grab the chair she’s motioned to and drag it to sit next to her. “I’m hungry if you are. It might be a little cold, though, it’s kind of a far walk.”

“You walked here?” Emily asks, tone appalled and face comically shocked. 

“Yeah, my car broke down last week. I’ve been walking to work – it’s actually really nice out right now – and I couldn’t find a cab from the bistro.” You busy yourself with the food while you talk, opening the second container, setting it on her legs, and unwrapping the plastic cutlery for her. 

“Jesus! You didn’t need to come and see me if you don’t have a car. You didn’t need to come at all, actually. I really appreciate it,” she amends, seeing how your bashful smile freezes on your face, reaching forward as if to touch your face and brushing your shoulder instead. “It’s really sweet of you but you didn’t need to walk all that way. Isn’t it like a twenty-minute walk from here?”

Over thirty, but you nod anyway, knowing it won’t help your case to correct her. “It’s not a big deal. You were shot in the stomach, of course I wanted to see you.”

“Ah, so you wouldn't want to see me otherwise,” she teases, nodding and pushing her pasta around with her fork. She doesn’t even try to conceal her grin. 

“Ha ha, very funny,” you mumble. You take a bite of your food and your eyes widen. “Oh my god.”

“I knew you would love it,” she beams, watching your expression as you taste the food. You you she meant to say it in a gloating way but you swear you can hear a sort of fondness behind the words. Something in you warms at her ability to know you so well. 

You tell yourself you’re overreacting about both thoughts. 

“You were right – Emily this is unfairly good.”

“Oh, I know,” she says, taking her own bite and letting out an exaggerated moan, complete with an eye roll. You giggle and she smiles at you. “Thank you, this is exactly what I needed.”

“You’re welcome,” you say, holding her eye contact. 

She's been in the hospital for three days, transferred back to Virginia last night; her hair is unwashed and unbrushed, and she’s wearing no makeup and a hospital gown. 

She’s still the prettiest girl you’ve ever seen. 

-

Your car is fixed by the time Emily is released from the hospital two days later and you offer to take her home. 

“Hi Sergio,” you greet the cat brushing against your legs as Emily disengages the alarm. 

You set her things down by the door before turning to offer her your arm. Emily doesn’t pretend that she doesn’t need the help when it’s just you two, something you’re grateful for after watching her struggle with the team around, and lets you guide her to her bedroom. 

You set about making her comfortable, turning down her sheets and propping the pillows up so she can sit. 

“I’ve got it,” she laughs, playfully pushing away your hands. 

You laugh along with her, raising your hands and backing away. “I’m going to go put the rest of your stuff away and get you a drink.”

“Perfect, I’ll take an old-fashioned. Don’t forget the cherry.”

You roll your eyes at her, scoffing and leaving her room. 

You throw her clothes and go-bag in her laundry room before making her a glass of water and another glass of juice. Once you’re sure she’s settled in her bed with her book, you return to the kitchen to make her a few dinners, ignoring her protests. 

-

Emily is back in the field much sooner than you would have liked. 

“I was cleared by the doctors,” she tells you, coat slung over her arm as she digs through her bag for her badge. 

You smile at Martin, sending him a mock exasperated look, before she finds her ID and shows it to him. 

“It still seems too soon, Em,” you persist, reaching forward to push the elevator button and turning so you can lean back to watch her face. 

“Em?” Emily asks, the hint of a smile pulling up the left corner of her mouth. 

You sort of feel like you could die in that moment, just from the heat that simple gesture surges through you. 

“It just sort of slipped out, sorry,” you say, thoroughly embarrassed. 

The elevator dings and the doors open, throwing you off balance for a second. This doesn’t help your already flared nerves as you stumble back and drop your bag. You reach down to gather it and the files scattered across the floor. 

You’re kneeling to stuff everything in your bag when Emily crosses your line of sight again, wide smile on her face – teeth fully on display and nose scrunched, you are in desperate need of help – holding out your notepad.

“I think the nickname’s sweet. I kind of like the idea of having a name only one person, only you, calls me.”

All of the air has left this godforsaken elevator, the heat must be on, you stare dumbly at her as she reaches forward to grab your bag and put the rest of your papers inside of it for you. 

And then, realizing you look like an absolute idiot, you snap back into your body and cough slightly. The doors ding and open again, you grab your bag from her and stand slowly. Smiling at her, still crouched on the floor and looking, amused, up at you through her eyelashes, you say, “Okay. Thanks, then, Emmy.”

You walk away after that brief flash of confidence, telling yourself you’re just imagining how you swear her face flushed bright at your comment. 

And if Morgan mentions a few minutes that Emily seems flusters, well, who can blame you for floating on that high for a few days?

Except she doesn’t let it go. 

She corners you on your break in the kitchenette. Literally. She catches you when you’re examining the coffee pot that has been making concerning gurgles for the past few days and leans on the counter behind you, effectively blocking your exit. 

Not that you really want to leave. 

She’s wearing a red tank top and dark jeans, her hair is loose around her shoulders, eyes steadily trained on your face as you work. 

“Hello,” you say, quiet in a way you’re not normally. 

“Hi.”

“What’re you doing?” You ask after a few more moments of her silently staring at you while you pretend to know what you’re doing with a screwdriver. 

“Enjoying the view.”

You drop your screwdriver and relish in the sound of her laugh. 

-

You’d love to say that you had some suave answer to return her charm but you think you spent it all that morning with your boldness. 

You’re not shy but confidence doesn’t run in your blood either. You’d say you’re pretty normal – average. You don’t find much wrong with that, you know you have other qualities that build you up into an interesting person. You love your friends and coworkers deeply, for one. And have an intense trust in them and their abilities. 

That trust is always tested in your day-to-day at work but never more than now as you feel the car around you make turns at highway speeds. You think you’re on some sort of back road but it’s hard to tell from the trunk given the obvious lack of windows. 

You’re calmer than you thought you would be if kidnapped. 

Groaning after one particularly rough turn that has you jostling against the sides of the trunk, you allow your head to thump back and stare at the inside of the dark car. Light breaks through the cracks of the hinges of the trunk and you wonder if water trickles through when it rains. 

You’ve been in here too long to consider if you’re focused on the wrong things. You’re scared shitless, of course, but the adrenaline faded about an hour into your drive and now you’re just bored. 

Imagine that – bored as fuck in the trunk of a stranger's car, wrists burning from the rope and jaw sore from where it’s been forced open too long by the fabric tied around the back of your head. 

You’re just allowing yourself to reimagine your morning with Emily when the car stops and the engine cuts. 

You snap back into the present, energy flooding your system again as your brain flicks into overdrive. You might spend your days paper-pushing behind a desk, but you passed your physical. You’re smart, you’ve heard the stories of how these victims survive captivity. 

When the trunk pops open, you squeeze your eyes shut to prevent pain from the sudden lack of light. You don’t want to be blinded and the action has the added benefit of pleasing your captor. He put a hood over your hood when he grabbed you, muttering in your ear in tense tones that you would do best to not even try to see him. 

Say what you will, you usually do a pretty good job at following directions. This one is easy and happens to be number one on your list right now – keep him happy so he keeps you alive. 

“Good girl,” a gruff voice says before a calloused hand gropes the back of your neck to yank you forward. Scratchy fabric envelops your head and your hot breath bounces back against you, trapped against the fabric of the hood. 

You stand when his hands start to grab your waist, pulling yourself to your knees and allowing yourself to be lifted from the trunk.

You want to run but know now’s not the time. 

“Look at how well-behaved you are!” His breath is wet against your neck. He stands too close, hands clawing under the hem of your shirt to cling to your skin. 

He walks you forward like that, chest pressed against your back and breath slithering down the collar of your shirt to hang uncomfortably over your collarbones. 

It’s becoming increasingly more obvious what this sicko wants from you and your stomach is twisting at the thought. You urge the team to hurry up, knowing your absence would have been missed ages ago. They have to be looking for you by now. And, with how sloppy this dude seems to be, he must have left a plethora of clues waiting to be found. 

You have to repeat this to yourself as you hear a door lock click. 

“Took you long enough. This is the girl? She’s kind of … well,” the second man kisses his teeth with a sharp sound. You’re pushed forward again. “Whatever floats your boat man.” The door shuts and locks behind you. The second man's voice fades as he talks, disinterested. 

You wonder if it’s wrong to feel slightly insulted right now. 

“This way, doll.”

You listen. It’s saving your life to be complicit in his directions, so you listen. Still, you’re shoved harshly to the floor once you get to where he wants you, knees striking what feels like cement. Before you can recover, your cheek stings and your head is whipping to the side from a sudden slap. 

Then, there’s a kick to your ribs. You fall onto your side, too winded to even cry out, lips falling open in a silent scream. A boot in your belly. Your ribs again, your hip and back. 

“Why?” You manage to sob out. “Why, why?”

You don’t get an answer.

-

You’re not overly religious but you thank whatever heavens or universe exists that he leaves you alone once he’s done kicking the shit out of you. Your ribs are bruised but the worst you expected hasn’t happened. 

The boredom returns as you lay with throbbing ribs. At least one is broken and every breath hurts. You can’t imagine sitting up and, luckily, with your hands tied behind your back, it’s not really an option anyway. 

It must be near an hour later when you’re fading out of consciousness – a purposeful choice on your part to save your energy – when you hear the front door burst down. 

“FBI! Hands where I can see them!” Morgan. You nearly weep but think better when your stuttered gasp makes your side throb. “What the fuck?” You hear shouted in reply. “Robb, what the fuck man.”

There isn’t much of a resistance from the living room. The second man is shouting at what you can only assume is the first – your initial kidnapper – but there’s nothing else other than that. 

“Clear!” You hear Hotch call. Spencer replies and then you hear the door nearest you open. 

His voice calls out your name. You deflate against the floor. A second, you know he’s scanning the room with his gun before holstering it. “Clear! I need a medic!”

Hands, gentle, against your face, removing the hood. Swifter after that, removing your gag, and then hand binds. 

“Hey, Spence,” you say, trying to smile up at him. 

“Shh, you’re okay. We’ve got you.” He starts to support your weight behind your shoulders and the pain that brings is too intense to prevent your yelp. 

“Oh my god, is she okay?” You hear Emily ask seconds before you see her. She looks concerned, hair now in a tight ponytail and FBI vest strapped over her chest. She whispers your name once and then a second time, reaching forward to gently brush your hair out of your eyes. 

“Hey, pretty,” you say, words tumbling out of your mouth before you can catch them.

“Hi beautiful,” she answers, reply just as soft as your own. Earnest. 

It makes your heart ache and, for the first time since being yanked off the road walking to grab lunch, you start to cry. 

“Hey, hey, I’m sorry. I’m sorry, beautiful, it’s okay. You’re okay.” She repeats this as you’re lifted by the paramedics and cry harder. 

She repeats it when they stitch up where kicks burst the skin over your cheekbone open, repeats it as she trails a hand down your arm in gentle patterns while they examine your ribs and confirm that you’ve broken two, maybe three. 

She tries with you in the ambulance. 

You can’t help but think about being on the phone when you heard Emily be shot weeks earlier. You squeeze your eye shut as they insert the IV, beyond grateful that she’s there to hold your hand while they do it. The tear that falls down your cheek has nothing to do with the pain and everything to do with the thought that you couldn’t have been there for her in the same way. 

An odd thought, you realize, but it’s the one you’re stuck with as you drift away when the pain medicine enters your system. 

-

You’re sent home three days later. You insist on spending the night alone, afraid to admit you’re scared because, honestly, nothing much happened to you. 

Oh, of course, everyone tries to convince you otherwise but you know they’ve all had it worse. You were gone from the bureau for about eight hours and spent most of it bored. 

So you force yourself to spend the night alone. You don’t need help moving around or doing things for yourself so you convince yourself you don’t need help. 

You’re cooking dinner when the doorbell rings. You wipe your hands with a dish towel and take your time walking to the door to look through the peephole. You don’t know who took you yet, you haven’t asked and nobody has said, but you can imagine seeing him through the door. Waiting for you, waiting to kill you this time. 

Okay, yeah, maybe Spencer was right when he talked about PTSD and usual levels of anxiety, but you’re so tired of him being so right all of the time that you really want to prove him right.

There is no man standing on the other side of the door, though. Instead, you see Emily, holding a plate wrapped in tin foil and looking serene in your apartment hallway. 

You open the door quickly, unlatching it and turning off your alarm with a few clicks. “Emily?”

“Ah, man, I was getting used to Emmy,” she jokes, stepping inside with a smile in your direction and kicking off her shoes. 

You can’t think of an answer so you just smile at her, hoping she’ll take the lead. You’re tired and she must see it because she offers the plate in her hands to you once the door is closed and the alarm is reengaged. 

“Rossi sent me with it with explicit instructions to not let you share it.”

You giggle and take the plate. “I’ll have to tell him thank you. It’s kind of out of your way to come all this way, though, isn’t it?”

“Not out of my way at all,” she says, words dripping with meaning as she holds your eyes. “I would have come even if Rossi didn’t have food for you.”

“So why are you here?”

“To make a fool of myself,” she says, casually, like that’s something people say every day, “probably. You’ve just gotten back from the hospital and I know you said you wanted to be alone, but,” she swallows and her words are becoming more rushed as she speaks, “I said the same thing and you still stayed.”

“Emily?” You ask, setting the plate down on your hallway table and clearing your throat. “Ah, Emmy?” You amend when she cuts you a look. Your attempt to diffuse the tension doesn’t work and she steps closer so you’re toe to toe.

“That doesn’t really answer your question, though. You’re sweet enough that you would let it go, but,” she shrugs, reaching forward to gently loop her fingers around your wrists. “Stop me if this is awful timing. Please,” she says, leaning forward and staring into your eyes. 

You feel like you’re suffocating, but if this is death, you’ll greet it gladly in the irises of Emily Prentiss. You’re caught in the trap of the moment, heart hardly breathing, all aches and sores forgotten because Emily is leaning closer, breath fanning across your face. You feel intoxicated, ensnared. 

Everything that has ever been exists here, now, in this moment. Every breath used to blow out birthday candles and blow away eyelashes – breaths with purpose, with wishes, with intent – exists between the two of you as she leans closer and closer. Closer, still, and how can so much distance exist between you two when you’ve been standing so closely?

“Just, stop me, if you want,” she whispers against your lips, eyes falling shut. 

Time yawns again, freezing. Your eyes open, hers closed, beats of seconds pausing. Hesitating for you to hold this moment in your hands. You’re grateful to appreciate it because she really is so lovely. Her bangs are pushed back from her face with a headband – imagine that! Emily owns headbands! – and you can see every detail of her face. Her elegant nose, her slim eyebrows, her narrow, prominent, lips.

And then your heart finally catches up, beats loudly, cracks whatever fragile plane of glass holding the moment so perfectly still, and her lips are meeting yours. 

You gasp into her mouth, hands breaking out of her hold to grab her face. You’re afraid that she’s going to pull away before this kiss can be fully real. Before you can actually taste her – lemon cake and rain and warmth. Before you can memorize the feel of her lips pressed against your own before you can drag her closer and slip your hands into her hair. 

But she doesn’t pull away. She meets your enthusiasm with a sigh and then enthusiasm tenfold. You can feel relief in the kiss, feel how she relaxes into you. She takes a step forward and you take one back half the amount to account for it. 

A tilt of your head and it’s better, impossibly. She’s firm, sturdy, beautiful. Confident. Lovely, lovely, lovely. 

And then she reaches forward to hold you to her, hands brushing your ribs to wrap around your back and you can’t hold in the gasp of pain that causes you to stiffen. You want to take it back, want to ignore the pain, want to keep her near, but she won’t allow it.

“Oh, I’m so so sorry. Are you okay? I’m sorry.” You smush the apologies against her lips, removing one hand from her hand to guide her arms around your shoulders where they won’t hurt. “Okay! Okay,” she giggles, leaning back with several short kisses that do nothing to satiate you. “I need to know you’re okay.”

She can obviously tell she hasn’t hurt you too bad by your reaction, but the sweet caution in her voice has you melting further. 

“I’m perfect.”

[rintoki]

“aventurine! what is the meaning of this?!”

your heels clacked on the cold marble floors, echoing throughout the otherwise empty space. you find the man hunched over the bar, and a loud thuack resounds out as you slam a stack of papers onto the counter beside him.

a crooked smile plays on his lips, about time, he thinks to himself. aventurine takes a swig of the drink he’s been nursing, emptying the remains of the smooth liquor down his throat.

“this was not what we agreed on.” your tone was harsh, accusatory, and he could feel your gaze burning holes into the side of his head. but the man could only laugh, his head lolling to the side to meet your eyes head on.

“aventurine. answer me.” there was a dangerous glint in your eye now, and aventurine felt if he stayed quiet any longer, he may very well never speak again.

“you finally came to find me,” the grin on his face was almost sickening, and you could just barely keep the red from clouding your vision. “is this what i have to do for you to look at me?”

aventurine turns his body to face you, leaning in close enough for you to catch the stench of alcohol on him. his smile quickly turns into a pout, “it was just a little mistake… are you going to punish me?”

your eye nearly twitches, what is this man…? but you compose yourself quickly; reigning in your anger as you turned away from him and let out a frustrated sigh. even though it’s clearly not a mistake, neither of you are in the right mind to resolve this. “we will discuss this—“

your words were abruptly cut off as the drunken man in front of you grabs your face, turning it back to face him. “why won’t you look at me?”

his arms slowly crept around your shoulders and before you realise, he’s so much closer than you remembered. and this time, the pout on aventurine’s face looked much more genuine. it was a rare sight to see, one that now held your full attention.

“i am looking at you,” your voice had lost its edge, softening as you answered your colleague. a beat passes as the pair of you stood unmoving, each unable to tear their gaze away from the other.

but aventurine breaks first, sighing deeply as he casts his eyes downward, “that’s not what i mean.”

somehow he’s found his way even closer to you, resting his head upon the crook of your neck. and somehow, you can’t find it in yourself to push him away, instead letting your arms rest on his lower back.

“… you’re drunk. get some rest and we can talk again tomorrow.”

you slowly pulled away from aventurine after a while, assessing that he’s more or less stable enough to be left alone. and with the same clack of your heels, you turn to leave, with an arguably bigger headache than when you first came here.

[tapakah0]

[starry-bi-sky]

tales of the passerine - danny fenton being bruce wayne's first kid

okay okay. so this is like a continuation/elaboration of my oneshot/prompt i wrote about the idea that Danny was the first batkid. We have a lot of aus where he joins the family after the rest of the bats do, right? So hey! Lets shake things up a bit. Danny is the first to be adopted by Bruce Wayne.

Danny's parents and unfortunately Jazz die shortly after the events of TUE -- how so? I was gonna say an ecto-filter explosion, that would call back to the TUE explosion and trauma behind that. But lets do something new! Carbon-monoxide poisoning.

It's not too unexpected for something to break in the Fenton house, especially with the Fenton parents' questionable understanding of proper weapon handling and lab safety. The water heater broke from a stray shot by one of the weapons, and was promptly MacGyver'd incorrectly. Danny went to stay with Tucker for a guys' night, and came back to a dead silent house.

(Danny's neighbors got a very unfortunate shock when he ran to the next house over in hysterics.)

There was a lot of shuffling around with CPS, the police. People had to be called in to handle the equipment in the lab, and the GIW was rumoring to show up in aid to clearing the scene. When Danny heard of that, he immediately went and dismantled the ghost portal to the best of his abilities. He burned the physical blueprints of all his parents' inventions, their blueprints on the ghost portal, and their most dangerous weapons were destroyed beyond recognition. Anything to prevent the GIW from getting their hands on his parents' tech.

It opened up another investigation, but he was not under the list of suspects. He was placed in the care of Vlad Masters, where they then went back to the rebuilt castle mansion in Wisconsin. Danny, terrified of the future that has once passed and may do so again, shuts down in his grief. Inadvertently, he ends up somewhat repressing his ghost half. Something Vlad, who is grieving Madeline but relishing in Jack's demise and his custody of Daniel, is not very happy with.

Vlad's... gone into a bit of a mental health spiral. He's becoming increasingly possessive over Daniel, the final remnants of his friends and a liminal being like him. He doesn't like that Danny's repressing his ghost half -- both out of genuine concern as a ghost, but also because of his desire to control Danny and groom him into the perfect son. If you ever had a phase where you read Dark SBI found family fics, first off; me too bro, and second off; those are the vibes I'm thinking of.

Danny's mentally shut down from grief! And fear. He's dropped into a bad depressive state -- paralyzed with grief and the terror of the inevitable. Clockwork saved his parents because he believes in second chances, but what's the point of that when his family ended up dead anyways? Danny doesn't wanna believe that he's destined to become evil, and he's holding out onto that hope, but it's a thin line, and he feels utterly hopeless and trapped. He hasn't used his powers or ghost form since he trashed the lab, and Vlad has alarms set up to prevent him from trying to escape.

He's also unintentionally cut off Sam and Tucker -- both of whom are so scared and concerned for Danny too, and are trying their damndest to reach out to him. He keeps ignoring their texts. Danny basically haunts Vlad's manor. He goes out to eat if he has to, attends parties Vlad drags him to, and stays in his room all day if he can.

At parties, Vlad doesn't allow Danny to leave his side, or really talk to anyone -- not that Danny wants to. A product of Vlad's increasing possessiveness. Well, he almost doesn't let Danny leave his side. Danny has a habit of slipping off to hide somewhere for the parties whenever he can, and Vlad reluctantly allows it so long as he stays alone.

This becomes an advantage when eventually, Bruce Wayne returns to Gotham after missing for years, and holds a bright charity ball to celebrate the return. Vlad has been chomping at the bits to get his hands on Wayne Industries, and with the return of its owner there is no better opportunity to wipe out his rival. He goes, and he as normal, brings Daniel with him.

Vlad thinks Wayne will bleed his little heart out for Daniel's poor orphan sob story -- he's a fellow orphan himself, after all. He's not wrong; Wayne's little heart will bleed, just not in the way that benefits him.

Bruce sees Vlad and Danny approaching before they're even close enough to introduce themselves - and like with many of the children he will soon come to care for, it's like someone set a mirror into the past right in front of him.

Danny Fenton's suit is tailor-made for him, and despite the fact that it's his perfect size, the sag in his shoulders, the ducked down head, and the way he hunches into himself all pictures the image of a child in shoes too big for him. There's a far away, glazed over look in his eyes and grief marble-cut into the lines of his face. There's not enough makeup in the world that will hide the dark circles under his eyes.

("My nephew, Daniel Fenton." Vlad's hands are possessive on Danny's shoulders. Bruce immediately notices the way the boy tenses under his touch. "His parents passed recently, and as his godfather I was designated his guardian.") ("I'm so sorry, the loss must've been terrible.") ("Yes, carbon-monoxide poisoning caused it. Daniel was out with friends, when he came home... they had already passed.") (Bruce immediately dislikes that Vlad shared the details of their death unprompted -- he likes it even less when Danny flinches at the reminder and hunches into himself.)

Danny runs off at some point earlier into the charity. At this point, parties are still being held at Wayne Manor (because iirc google search mentioned that was a thing at first before it was changed), so he disappears and hides in one of the empty rooms nearby. It just so happens to be the same room Bruce Wayne hides in when he needs a break from all of the socialization.

Thus begins a long, long process of trust. Bruce can't reveal his hand as being smarter than he looks, but he can be compassionate. Kindness needs no measure of intelligence. He keeps Danny company for as long as he can before he runs the risk of being found.

Rinse and repeat. Vlad insistently wants Wayne Industries, and he'll go to as many Wayne parties as he can to get his hooks into the man. The problem is that Bruce Wayne is never alone, and getting him alone is impossible. Finding him too. It's like the man never stops moving. Always talking to someone, always circling somewhere. He orbits around the room as if he isn't the sun of the Gotham Elite's solar system.

Danny's had such repetitive behavior that Vlad never thinks to believe that Bruce Wayne is disappearing to go talk to him. That "Vlad's" son is even interacting with him at all. Danny never gives him a reason to think so, and neither does Bruce.

Danny doesn't actually acknowledge Bruce until a handful of parties in, where he hands Bruce a small slip of paper he smuggled in that says; "don't trust Vlad". Danny's face stays carefully blank, but he's so tense that his hands are trembling, and he's purposely looking away from him. Bruce plasters a smile onto his face, slips the paper into his pocket, and tells him "okay".

(he's been busy with his own goals with the mafia, but he sets aside time to investigate Vlad Masters. He was holding off. Until now.)

Danny does eventually start speaking to Bruce, he's starting to really like the guy. He's starting to see a little hope, even as Vlad is starting to get more and more agitated with him the more he refuses to use his powers.

He reaches out to Sam and Tucker again, and starts trying to reconnect with them. Vlad has spyware on his phone, and he limits the amount of times he can talk to them. A weird parental control lock of some sort that leaves a time limit on how long he can talk to them for. 30 minutes. Danny doesn't tell them anything about Mr. Wayne.

Danny, slowly, wants out of here, and he's slowly gathering the motivation to do it. Vlad is genuinely scaring him -- and Danny wonders just how truthful the past-future Vlad was when he told him that Danny wanted his ghost half separate. He starts trying to come up with an escape plan.

Vlad has anti-ghost wards everywhere around the mansion, and while they're always on, they boost to full power at sunset. The doors and windows are always locked, all main exits have alarms set on them. The only reason it's not super extensive is because Danny hasn't tried leaving at all yet, so Vlad hasn't had to tighten anything.

At night, Vlad locks the door to his room and puts up an anti-ghost ward around the room. The mansion is on the outside westward side of Madison, more entrenched in rural Wisconsin. The closest town is a four-way stop sign with one house on three corners, and an open bar on the fourth. Not much to go.

He refuses to go to Sam and Tucker; Vlad would look there first. It's too dangerous. Vlad would sound alarm bells and have a manhunt looking for him, Danny can't risk going just anywhere. Too much risk of being found, sold out, or caught. There's really nowhere for him to hide.

Until there is. Bruce is telling Danny about the history of Wayne Manor, and says, as casually as saying the weather; "The manor has dozens of empty rooms, I'm sure Alfred wouldn't mind filling another one if he could." And quietly, hesitantly, Bruce places a careful hand on Danny's shoulder, unrestrictive and gentle; "He wouldn't mind getting one ready for you if you need one."

And there it is. There's his out.

Danny, just as quietly, replies; "I'll keep that in mind."

The ball starts rolling.

Now I've been trying to summarize this au as much as possible for length convenience, but Vlad has been steadily growing more and more controlling. More emotionally manipulative. More agitated at Danny for not using his powers.

He wants Wayne Industries under his thumb but he's been steadily growing more and more concerned with Danny. He's started grabbing him, yanking him around, shaking him; trying to goad him into using his powers. He gets angry when Danny doesn't react, or tells him he doesn't want to use his powers. He hasn't outright attacked him, but he's getting there. This has been happening over the time it takes for Bruce to indirectly offer Danny sanctuary at his home.

It all comes to a head when Vlad stops going to parties at all -- something Danny has to pretend he isn't upset about -- because Vlad doesn't want him around other people anymore. Vlad rarely goes now without him, and only leaves to go to a Wayne function or to handle something at VladCo.

Danny can't wait for Vlad to leave long enough to escape. So he leaves during the night of a big storm. Vlad's locked him in his room, but Danny doesn't bother trying to go for it; he goes to the alarmed window instead. Danny's been repressing his ghost half so long that he can't access his powers immediately anymore -- he can feel it, he knows its there, but he can't quite reach it.

He breaks the lock by hand.

Immediately the alarm goes off through the entire castle, filling the room with red, and he scrambles for the rope the Wisconsin Ghost left for him a few months back. Danny's already out and climbing down the side of the castle before Vlad even reaches his door -- the only good thing about the entire room being ghost-proof is that Vlad can't get in that way.

The rope ends before it reaches the bottom, and he's still twenty feet in the air. It won't kill him if he lands it right. Danny takes his chances, and drops. He breaks his ankle, but he survives.

And he fucking books it to the back garden. He hears Vlad shrieking over the thunder and rain.

I'll save the full experience for a future oneshot, but Danny makes it out into the nearby woods and forcibly experiences what it's like to be in a horror game, trying to hide from the thing that's hunting you. There's only one thing going through his mind; "i'm going to die"

I have this mental image for this scene. Very stereotypical horror imo. Where Danny is hiding behind a tree, with a hand over his mouth, and Vlad is a few feet away from him, glowing ominously red through the trees, trying to search for him.

Danny doesn't get away from this unscathed, but he does get away alive. That's all he could ask for. He gets away by getting his ghost half awakened long enough to transform into Phantom and fly to Gotham.

But he gets to Wayne Manor, he gets to Bruce. Or, at least, Alfred answers the door from his insistent pounding. Danny's just in tears and Alfred gets him in the living room, wrapped in a towel, with ice on his swollen leg before he has to step out and alert Bruce.

Bruce already breaks multiple traffic laws on a nightly basis. And that's just with the sheer existence of the batmobile itself, not including the speeding and military artillery attached. He breaks double the amount trying to speed back to the cave and get out of the suit.

Right off the bat: Bruce will know, at least before Dick enters the picture, about danny's powers. He'll figure out something considering the fact that Danny traveled from Wisconsin to New York in a single night. That'll be a bit of complicated affair, but I've already got something in mind.

Actually it'll probably be very soon after Danny joins the family, because Bruce tries to offer to fight for custody for Danny - the state Danny was in at arrival is clear enough evidence for a trial. But Danny immediately shuts it down, says it's not going to work and then Vlad will know Danny's with him and he won't be safe. He tells him that Vlad cannot know Danny was with Bruce.

Danny's biggest regret was not telling his parents he was a halfa, and while he doesn't want to tell mister wayne (yet), he does tell him about Vlad being one. He needs to know why Danny can't be seen with Bruce. So he tells him, and Danny's current plan is to just hide out from Vlad until he turns 18. That way, he has no more legal jurisdiction over him. After that? He's not sure.

And to wrap this up, since this has already gotten very long and I can make more posts about this au later; I've thought about it, and I'm going to say that Danny does become a vigilante before Dick enters the scene. He goes by, as you probably guessed; Nightingale. "Gale" for short.

[knifetomeatu]

quality time with uncle Hands🥰

[gobstoppr]

Tetris Fanart.

I've been playing tetris while listening to horror podcasts. and yeah

[moeblob]

[nightthinker-08]

have some doodles most of them drawn while I was in a sleep deprived haze-

[creep-girl]

season 1 cast from memory except i have aphantasia

[luyo-mi]

my pookies

[tacobellabeanburrito]

Things That Irk Me In Ace Attorney Fanfics:

When Larry is a pervert, bad friend and seen as the butt of every joke.

When Klavier is depicted as a pervert and pushy in his romantic endeavors.

When Phoenix hates Klavier and avoids him.

When people don’t acknowledge that Pearls is as much of a daughter to Phoenix as Trucy.

When people don’t add Sebastian into the Miles family and only see Kay as Miles’ adopted daughter.

When people don’t add Kay to the Phoenix, Miles and Trucy family.

When people don’t add Sebastian or Apollo to the Trucy, Kay, Miles and Phoenix family.

When Franziska and Phoenix hate each other and only tolerate each other for the sake of Miles and Trucy.

When Klavier and Ema aren’t see as worsties.

When Miles is seen as not seeing Ema as a daughter either.

When people think that Phoenix doesn’t care as much about Ema as he does to all of his adopted weird girl assistants.

When people see Athena and Simon as lovers instead of siblings/family.

When people don’t think that Phoenix sees Apollo and Athena as part of his family and then they get left out of the loop.

When people don’t make the prosecutor’s office a family.

When Phoenix, Gumshoe and Maya aren’t seen as besties.

When Miles doesn’t care about Gumshoe.

When Miles doesn’t see all the others in his life as family/friends except for Franziska, Trucy and Phoenix.

When Phoenix and Miles are seen as hating Larry and not wanting to hang out with him.

Will probably add more. Also, not saying that people are wrong for viewing the characters like this, it’s just sometimes when they do this it really irks me because I interpret their relationships and characters differently.

Also feel free to add in the comments and stuff! But don’t be mean, please.

[skitskatdacat63]

2011 Italian Grand Prix - Vettonso